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JAMES
KIRK CENTER
The Historical Society: Elizabeth, NJ Inc has
begun to explore the neighborhood surrounding the old Liederkranz building
which centered the activities of the German residents in Peterstown in
the early years of the 20th century. Support from the New Jersey Historical
commission helped the society to integrate material from the Federal Census
records and from Oral Interviews to compile the narrative below:
The building that is now called The James T. Kirk Center, affectionately
named after the Elizabeth Mayor James T. Kirk, was once called the Liederkranz
Gesang Verein and was built to house the German choral association in
the neighborhood. The present residents of the neighborhood (predominantly
working class Latinos) know the building as a once active youth center.
The Kirk Centers transformation from a choral house to youth center
and now in the process of becoming elderly housing after being out of
commission for many years exemplifies the changing needs of the neighborhood.
This attractive restoration was the work of Vilu Construction Company
(Luis Rodriguez, President) and Elizabeth architect, James Guerra.
The City of Elizabeth saw another surge in immigration at the end of the
19th century. The neighborhood around where the Liederkranz was to be
built (a predominantly Irish 2nd and 3rd generation neighborhood) experienced
a dramatic influx of German immigrants in the 1880s and then a swell
of Italian immigrants in the 1890s. In 1900 many of these two populations
held laboring jobs and consistently sent their children through school
until age fifteen when girls would soon marry and boys would find work.
The Germans and the Italians divided themselves into very distinct subsections
of the neighborhood.
By 1910 the local industries had become even more significant players
in the growth of the neighborhood. Many men regardless of ethnicity found
jobs at the oil refinery, at the chemical factory and the brewery. Railroad
and street laborers were also common but in this section of the Elizabeth
many men found work and the Singer Sewing machine factory not ten blocks
away. The men werent the only ones to be working.
Many mothers and daughters who previously seemed not to hold jobs for
very long between school and marriage were working more frequently from
home as washerwomen and tailors. |
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Councilman Bill Gallman |
City leaders – Mayor Chris Bollwage and Councilman Bill Gallman – joined the State Green Acres Program. The Tree Foundation and especially Future City, Inc to rededicate Woodruff Park on Catherine Street on October 12, 2007. The park had experienced several transformations and in it latest mutation was a black-topped public space known locally as the “battleground.” The combination of city leaders and imaginative organizations resulted in the conversion of the park to a beautiful open, green space: new flowers, new sod, and new lampposts and a new design by Elizabeth Architect James Guerra.

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David Pierce for Future City Inc. |

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Mayor Bollwage and Council Gallman unveiling
THE WOODRUFF PARK PLAQUE, October 12, 2007 |
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BRONZE PLAQUE, Woodruff Park Dedication
October 12, 2007 |
At the rededication, Historical Society President, Paul H Mattingly put the effort in context. Frederick Law Olmsted, the designer of Central Park in Manhattan, created what many consider the “gold standard” of urban parks. But he also gave us a powerful way of thinking about such parks that apply to all versions of the genre: parks are “the lungs of the city;” parks offer alternatives to the stresses and tensions of our workaday routines; but most of all, parks permit us to observe people unlike ourselves, to break down stereotypes of social class as well as ethnic and racial inheritance. Parks, Olmsted forcefully argued, are active agents in the shaping of urban civility; they are democratic resources, necessary to constructive city life.
Mattingly reminded those present that Olmsted became disenchanted with Central Park because its outer fringe contained only apartments. Residents of apartments did not take a proprietary role toward park maintenance and improvement. They observed, as it were, from above, as spectators of a park’s natural possibility. Later Prospect Park in Brooklyn, Olmsted felt, was a more satisfactory alternative, precisely because of the single-family townhouses on Prospect Park’s western edge. The dedication of Woodruff Park would be for Olmsted, Mattingly said, a starting point. The City leaders have done their part and orchestrated resources for its rehabilitation. Now its citizens, especially home-owners facing the park but also residents of the neighborhood, have a responsibility to maintain and improve this uplift. Were they to do so, Woodruff Park would become not only a democratic resource for the neighborhood, but for all of Elizabeth.

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HISTORIC WOODRUFF PARK, ELIZABETH, NJ
Redesigned by Elizabeth Architect,
JAMES GUERRA PA |
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